Lawrence is the most Dostoevskian of English novelists, in whose best work conflicting ideological positions are brought into play and set up against each other in dialogue that is never simply or finally resolved
David Lodge,

Lawrence is the most Dostoevskian of English novelists, in whose best work conflicting ideological positions are brought into play and set up against each other in dialogue that is never simply or finally resolved
David Lodge,

No writer since Lawrence has been so openly governed by what seems like powerful personal likes and dislikes, grievances, and by what appear to many as untenable prejudices
Amit Chauduri,

No writer since Lawrence has been so openly governed by what seems like powerful personal likes and dislikes, grievances, and by what appear to many as untenable prejudices
Amit Chauduri,

What astonished me reading it this time round is the iconoclastic modernity of the novel… the sense of daring experiment.. I had entirely forgotten what drastic steps Lawrence was taking with character, for instance. Or with narrative (the novel proceeds cyclically). When this is combined with sexual overtness and a revolutionary call for the individual to achieve 'Me-ness' in opposition to the nation, industry and war, we have a book that, appearing as it did in 1915, seemed genuinely disturbing
Adam Thorpe, Guardian

What astonished me reading it this time round is the iconoclastic modernity of the novel… the sense of daring experiment.. I had entirely forgotten what drastic steps Lawrence was taking with character, for instance. Or with narrative (the novel proceeds cyclically). When this is combined with sexual overtness and a revolutionary call for the individual to achieve 'Me-ness' in opposition to the nation, industry and war, we have a book that, appearing as it did in 1915, seemed genuinely disturbing
Adam Thorpe, Guardian