A Japanese Skins, revealing the dark, dangerous and drink-fuelled underbelly of teenage ...
James Wood has been called our best young critic. This is not true, he is our best critic, he thinks with a sublime ferocity -Cynthia Ozick.
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In a series of long essays, James Wood examines the connection between literature and religious belief, in a startlingly wide group of writers. Wood re-appraises the writing of such figures as Thomas More, Jane Austen, Herman Melville, Anton Chekhov, Thomas Mann, Nikolai Gogol, Gustave Flaubert and Virginia Woolf, vigorously reading them against the grain of received opinion, and illuminatingly relating them to questions of religious and phiosophical belief Contemporary writers, such as Martin Amis, Thomas Pynchon and George Steiner, are also discussed, with the boldness and attention to language that have made Wood such an influential and controversial figure. Writing here about his own childhood struggle to believe, Wood says that 'the child of evangelism if he does not believe, inherits nevertheless a suspicion of indifference. ' Wood brings that suspicion to bear on literture itself. The result is a unique book of criticism. Illuminating and exciting and compelling. . . one never doubts the soundness of his judgements. . . There is wonderful writing throughout this collection.
A book that makes you feel, having closed it, as if your mind has been oxygenated
Natasha Walter, Independent
He speaks in a manner dedicated to establishing no less than the truth
New York Times
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James Wood is a staff writer at the New Yorker and a visiting lecturer at Harvard University. He is the author of How Fiction Works, as well as three essay collections, The Broken Estate, The Irresponsible ...